This group exhibition is underpinned by Stuart Hall’s theory of ‘Encoding and Decoding’. It offers a semiotic way of understanding how meaning-making is generated through the production and consumption of signs and messaging. This is embedded in the architecture of the exhibition, as a pedagogic initiative. The exhibition will show work by students and staff of Afro-Caribbean Heritage and explores the contributions made by the Windrush Generation, as well as the Black herstory and history of pioneers and inventors; offering fresh knowledge as a decolonial intervention and as a teaching and learning intervention.