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Exhibition Summer Residency

Converging Paths / Shared Visions

Resonance Perception: Converging Paths, Shared Visions is an exhibition that explores how art connects with your senses, while also reflecting broader cultural and individual contexts. Create a dialogue in a space where diverse artistic journeys come together.

Each artwork-whether in textile, animation, illustration, or painting-invites you to look beyond the surface and engage in a conversation that goes deeper than mere observation. This show reveals how artists are inspired by each other, their environments, and their personal experiences to create pieces that resonate with creativity, identity, and perception. In this vibrant community, the varied artistic paths of the creators intersect not only with each other but also with you, the viewer. You’re invited to explore how these diverse perspectives combine to form a rich tapestry of shared stories and experiences. This show is a shared space where art provokes thought, sparks conversation, and leaves a lasting impact. As you move through the ‘Studio18’, let the artworks challenge you, inspire you, and connect with your own journey, intertwining with the collective creativity on display.

All photographs © Dennis Ngan 2024.

Categories
Exhibition Workshop

Indigestion

Indigestion: Breaking conventional understanding

Indigestion isn’t just about food. It’s about how we absorb life. From infancy, we take in the world around us, forming a sense of self that’s influenced by society’s mirror. As we grow, we navigate the symbolic norms that define us, questioning and digesting new ideas. ‘Cultural indigestion’ can happen when our personal beliefs clash with social expectations, leading to moments of discomfort or enlightenment. It’s not just about fitting in; it’s about understanding our place in the world and how we hold the new and unfamiliar, attuned to its feeling. This exhibition invites you to resist easy consumption; the idea that indigestion is more than a physical reaction—it’s a way to sustain a more complex relationship with the world.

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Bounce Fund Exhibition

Sexual Dissidence (in Art Today)

A multidisciplinary and inter-academic exhibition that showcases an artistic panorama of sexual dissidence in the world today, through the work of artists and historians from 13 countries.

Sexual Dissidence (in Art Today) is a multidisciplinary and inter-academic exhibition that showcases an artistic panorama of sexual dissidence in the world today, through the work of artists and historians from 13 countries. The curatorial process began by asking each artist to express their vision of sexual dissidence in their country today, through a new or existing work. Students published their creations on a specially built Notion and decided together how these visions will coexist in the exhibition space. After the exhibition, the exhibited works will be published in a printed and digital book that will be distributed among the libraries of the collaborating institutions.

This initiative will showcase the work of MAFA and MACC students from UAL, which will be analyzed by MACA students from Sotheby’s Institute. It will also showcase the work of the Brazilian academic from the University of Brasília, Doctor Orthof, and the artists Theo Vasiludes and Niv Friedman from the Royal College of Arts. The idea is to reflect the diversity of sexual dissidence, through the diversity in the curation of the exhibition, showing works in video, photography, installations, sculptures, and performance by queer artists from 21 to 60 years old, from students to international academics, from 4 universities and 11 different countries.

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Conference Workshop

CAP Symposium: Art Beyond the Commodity

Chelsea MA Fine Art and Royal College of Art Contemporary Art Practice students were asked to participate in a workshop at Millbank Podium on 16.1.24 to rethink the commodity. Artists and lecturers Pil and Galia Kollectiv asked them to go to a retail space of their choice in the week before the workshop and photograph part of the display they thought was working to persuade them to buy the goods in the shop. They then discussed the concept of commodification and its relationship to art and worked in small groups to think about that which is not yet commodified and how it might be. Finally, the groups presented their findings and talked about the social consequences of the process of commodification.

The workshop led to an exhibition at Chelsea’s Cookhouse Gallery and a symposium at the Royal College of Art, both of which Chelsea and RCA students were invited to contribute to.